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Lettione seconda pur della prattica di sonare il violone d’arco da tasti, composta per Silvestro Ganassi dal Fontego desideroso nella pictura, la quale tratta. Donor challenge: Your generous donation will be matched 2-to-1 right now. Your $5 becomes $15! Dear Internet Archive Supporter,. I ask only. Silvestro Ganassi’s La Fontegara (Venice ), a treatise methodologically describing instrumental diminutions, still remains enigmatic. By offering a contextual.

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The following other wikis use this file: Retrieved from ” http: Note that a few countries have copyright terms longer than 70 years: Summary [ edit ] Description Ganassi fontegara.

Opera intitulata Fontegara. Venedig : Sylvestro Ganassi :

English translation based on German edition published in Editor Hildemarie Peter Contents 1 Performances 2 Sheet Music 2.

Silvestro di Ganassi dal Fontegoalso given as Sylvestro di Ganassi dal FontegoSilvestro Ganasi dal Fontegoand Silvestro dal Fontego 1 January — [1] was a Venetian musician and author of two important treatises on instrumental technique. They cover both technicalities of playing and the subtleties of expression.

By using this site, you agree to the Terms of Use and Privacy Policy. Some interpretations of this passage conclude that the bow is to be held without touching the hair, [4] whereas in later bow-holds the fingers tension the hair in order to allow louder or accented playing without the stick of the bow hitting the string.

You know that the bow is to be held with three fingers, that is to say the thumb, the index and middle fingers.


Sylvestro Ganassi – La fontegara

His first treatise covers recorder playing: In a later passage, however, Ganassi makes it clear that the hair may be tensioned with the fingers in at least some circumstances, for example when fontegafa chords to accompany a song:. The revival of interest in historically aware musical performance has resulted in renewed interest in Ganassi’s writings.

In other projects Wikimedia Commons. Javascript is required for this feature. Methods ; Performance practice ; Writings ; Divisions ; For recorder ; Scores featuring the recorder ; For 1 player ; Italian language. From Wikipedia, the free encyclopedia. Information on the source of the scan is lacking. This page was last edited on 26 Aprilat You must also include a United States public domain tag to indicate why this work is in the public domain in the United Fontegzra.

This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. His second in gannassi volumes is about the viola da gamba: The thumb and middle finger ensure, in holding the bow, that it does not fall, and the index finger serves to strengthen and stabilize it, keeping it on the strings and exerting more or less pressure according fotegara the need. I can say that if you wished to play a piece which is in four or five parts while singing the fifth, you would need to use gaanassi longer bow than is customarily used.

His treatises are now available in modern editions.

Opera Intitulata Fontegara

There is also guidance on ornamentation — passaggi. Ganassi’s Regola Rubertina is among the earliest sources of advice to the viol player on how to hold the bow. None [ force assignment ] First Pub lication.


Sylvestro Ganassi Mexico has years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. Public domain Public domain false false. Retrieved from ” https: Work Title Opera intitulata Fontegara Alt ernative.

There are some minor differences from the Forni Facsimile Edition based on the Bologna copycompare f. Please obey the copyright laws of your country.

This is because the hairs on a longer bow would be less stretched, allowing one to draw the bow with less pressure on the strings while playing a chord. Retrieved from ” https: Views View Edit History. This page was last edited on 23 Novemberat Then you could use the fingers to stretch the hairs when playing fewer strings or a single string. From Wikimedia Commons, the free media repository. Treatise on playing the recorder and ornamentation, published in Venice By using this site, you agree to the Terms of Use and Privacy Policy.

IMSLP assumes no legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. The illustration from Regola Rubertina lower right, opposite appears to show this hold.